Alcione

Synopsis

 

Prologue

The mountain god Tmolus decides a musical competition between Pan and Apollo in favour of the latter. Apollo wishes for a return to the reign of peace over the world, symbolised by the Halcyons.

 

Act One

Ceyx, King of Trachis, and Alcyone, daughter of Aeolus, are due to be married. Peleus, the best friend of Ceyx, is also in love with Alcyone. The wedding ceremony is disrupted by the magic of Phorbas, whose ancestors once ruled Trachis and who is bent on revenge against Ceyx.

 

Act Two

Ceyx goes to Phorbas's cave to entreat him to stop his evil spells. But Phorbas tells Ceyx he must journey to the oracle of Apollo on the island of Claros to hear the god's verdict. In reality, this is a plan by Phorbas to bring about the death of Ceyx.

 

Act Three

Ceyx sets sail from the port of Trachis. Phorbas tells Peleus that he has arranged the voyage so Peleus can be free to woo Alcyone for himself. But Peleus's conscience is troubled when he sees Alcyone faint at the departure of Ceyx.

 

Act Four

Alcyone goes to the temple of Juno to pray for the safe return of Ceyx. She falls asleep and in a dream conjured up by Sommeil (Sleep) she sees a ship in trouble on a stormy sea.

 

Act Five

Alcyone is full of foreboding. Peleus confesses his love for her and is so ashamed he offers to commit suicide. Alcyone sees a body washed up on the beach and, believing it is Ceyx, runs herself through with a sword. But Neptune restores the lovers to life and makes them responsible for calming the seas.

Program and cast

Artistic Profile


CONDUCTOR: Jordi Savall
STAGE DIRECTOR: Louise Moaty
COREOGRAPHY: Raphaelle Boitel
SET DESIGN: Tristan Baudoin
COSTUMES: Alain Blanchot
LIGHTING DESIGN: Arnaud Lavisse
CIRCUS MASTER: Nicolas Lourdelle
COPRODUCTION: Opéra Comique (Paris) and Gran Teatre del Liceu
COPRODUCTION: Château de Versailles Spectacles, Théâtre de Caen, La Brèche and Pôle national des arts du cirque de Normandie / Cherbourg-en-Cotentin
LE CONCERT DES NATIONS
DIRECTOR OF THE CHORUS: Lluís Vilamajó


Cast


Alcione: Marianne Beate Kielland
Ceix: Cyril Auvity
Pélée: Marc Mauillon
Pan/Phorbas: Lisandro Abadie
Tmole/High Priest/Neptune: Antonio Abete
Ismène/first sailor: Jeanne Lefort
A pastora/second sailor/Junon: Hanna Bayodi-Hirt
Apollon: Sebastian Monti
Doris: Maud Gnidzaz
Céphise: Lise Viricel
Aeglé: Maria Chiara Gallo
Chief sailor: Yannis François
Phosphore: Gabriel Jublin
A servant of Ceix: Benoît-Joseph Meier

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Gran Teatre del Liceu

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

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