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The Pearl Fishers

VenueGran Teatre del Liceu
CalendarSun 10 Jan 2027
Synopsis/Details

The Pearl Fishers – Georges Bizet Opera in Concert

Opera in three acts

Libretto by Eugène Cormon and Michel Carré

 

'The Pearl Fishers': a lyrical meditation on love, duty, and human fragility

The Pearl Fishers—an early jewel by Georges Bizet—is one of those creations in which romantic exoticism is transformed into a metaphor for desire, friendship, and human fragility. On this occasion, Marc Minkowski and his Les Musiciens du Louvre restore the score to its most lyrical and contemplative profile.

Minkowski, a master at repositioning the French repertoire in its true essence, unfolds a kaleidoscopic and transparent reading, made of colours that breathe, of breaths that become phrasing, of an orchestral pulse that suggests both the calm of the waters and the vertigo of buried passions. His way of making music—precise, vivid, always attentive to the musical word—turns this version into an exploration of the intangible that Bizet knew how to capture: the moment when love and duty, oath and desire, shatter one another like waves against the rock.

 

This emotional landscape comes to life thanks to a leading trio of unusual intensity. Pene Pati, with his natural elegance and luminous timbre, embodies Nadir, singing from the soul with that blend of vulnerability and ardour that turns “Je crois entendre encore” into one of the most ethereal declarations of love in the repertoire. Elsa Dreisig, with her flexible and radiant vocality, shapes a Leïla full of inner truth, a priestess divided between faith and the heart, capable of uniting delicacy and resolve within the same line. Beside her, Florian Sempey brings to Zurga a wounded nobility, a human intensity that makes the final conflict not a mere dramatic twist, but an act of profound compassion.

In the hands of these artists, The Pearl Fishers emerges as a meditation on memory and destiny: a song to passions born in silence and yet capable of setting a world alight. Between the orchestral refinement of Marc Minkowski and the inner strength of the leading trio, the Liceu recovers a jewel of the repertoire filled with breath and mystery. A musical pearl that, once found, continues to shine beneath the shadows of the sea.

  • 🕒 Running time
    • approximately 2 hours 30 minutes
Cast

Nadir: Pene Pati

Zurga: Florian Sempey

Léïla: Elsa Benoit

Nourabad: Edwin Crossley-Mercer

 

Chamber Choir of the Palau de la Música Catalana - Conductor Xavier Puig

Les Musiciens du Louvre - Director Marc Minkowski

Venue
Gran Teatre del Liceu

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

Accomodation

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